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Dancing with the Stars Performance Recap Week 3 Tuesday, April 3, 2007 - The female celebrities really needed to bring it tonight. They were outnumbered to begin with, six to five, when this season of Dancing With the Stars started, and after Paula Porizkova's departure last week, the women seem to be an endangered species here. This week we'll see the jive, which Len Goodman says should be full of fun, vitality, and energy. They want to see kicks, flicks, and fast spins. We'll also see the tango, which Goodman tells us should have flexed knees with no rise and fall, a slightly tighter hold, and sharp staccato movements. Shandi Finnessey and Brian Fortuna should be worried more than others, as they were in the bottom two last week. She compares the feeling to a burning in her skin, and realizes the difference this week is she is dancing to save them. They dance the jive to “Crocodile Rock”, but she can't seem to control her arms very well, and her light blue short backless fringey outfit seems an odd fit for the dance. Goodman thought it was a great job, but he does take note of her arm "floating about in the breeze." Bruno Tonioli calls Finnessey a great bouncing, babbling babe and also warns her about her arms. Carrie Ann Inaba thinks the arms would be helped if Finnessey worked on her strength. Samantha Harris seems to be wearing that annoying lighted eye shadow again as we see scores come in for Finnessey and Fortuna of 7, 7, and 7, for total of 21. John Ratzenberger compares Edyta Sliwinska to a really good director, and to help him prepare for the tango, she takes him to see a Rudolph Valentino , a.k.a. Tango Legs, film. Tonight as they dance, Ratzenberger seems to become the character before our eyes, and when the dance is finished, he drags Sliwinska by the arm to the judges' table. Goodman likes that Ratzenberger got into his character, but felt he was flailing a round a bit. Inaba was let down some with the theatrics, but realizes this dance is tougher on the men because of the hold. Tonioli compares Ratzenberger to a mafioso auditioning for a Quentin Tarentino role. As scores come in of 7, 6, and 7, Ratzenberger admits the character idea came from a guy he went to school with.
Elena Grinenko brings in Clyde Drexler's mother, Eunice Drexler, for an inspiration for him. She is a Zydeco dancer, and in many ways the Zydeco is close to the jive. Drexler is just hoping the favorable comments from the judges will continue. Dancing to “Bad Moon Rising” tonight, Drexler has his always fast feet, but his upper half can't seem to keep up with Grinenko. Inaba would like to see Drexler bust out, as she feels this athlete is only giving 25%. Tonioli compares him to a giant moving through a dense fog, and would also like to see him deliver. Goodman realizes they only had five days to practice, but while Drexler seemed to be coming along last week, he seems to have now made a U-turn. With scores of 6, 5, and 5, Drexler says the key to his relaxing is just having fun. Laila Ali and Maksim Chmerkovskly only have three or four days to learn this dance as she is doing a lot of traveling and appearances. He brings in more help by the way of his brother, Valentin Chmerkovskly. The brothers' philosophy is, "If you fail to prepare, be prepared to fail." Dancing the tango tonight to “Goldfinger”, Ali and Chmerkovskly embody James Bond and a Bond girl in every way, although we can see him guiding her along with his hand as they dance. Tonioli chastises them for breaking their hold halfway through, comparing it to a lovely story that gets hung up in the middle. Goodman also acknowledges the break in hold, but blames Ali and Chmerkovskly's time to prepare. Inaba agrees they broke the rules breaking the hold, but says Ali is still the most fabulous girl out there. As they get scores of 7 from each other judges, Ali says she won't complain and will just resolve to come back and do better the next time. Apolo Anton Ohno and Julianne Hough are also fighting a tough schedule as he is training for the Olympic games. They fit in their jive instruction around his training, and he even gets Hough out on the ice, enjoying bossing her around for a change. They dance to the John Travolta and Uma Thurman dance number from Pulp Fiction, and he suffers a little from being too loose, yet they get in a great move at the end where he swings her around his feet. Inaba says they always have great chemistry, but she felt they were a little sloppy tonight. Tonioli compares Ohno to John Travolta's Mini Me and says he and Hough are like a ride at Disneyland. Goodman didn't like the Pulp Fiction dancing at the beginning, but says when Ohno decides to dance, he is a dancer. They get scores of 7, 8, and 8, for a total of 23. Joey Fatone is feeling the pressure after being on top in week one, and tonight he and Kym Johnson will be dancing the tango to the Star Wars theme. To prepare, he brings in R2D2 and compares the dance to Return of the Joe-I. Tonight, as they dance the tango, it's missing Fatone's normal comedic flair, but perhaps it's being done with a wink as he slices through the air with a light saber. Goodman thought it was good, but notes that Fatone's "bum" sticks out a bit. Inanba calls it tight, charismatic, and entertaining. Tonioli also warns about the bum, but feels the force is with him. Posting three 8s as scores, Fatone says he and his brothers have always been huge fans of Star Wars. Ian Ziering seems to be having trouble with the hip movements in the jive, so Cheryl Burke takes him to see male strippers, and he even gets on stage to try it for himself while Burke covers her eyes. It appears she's not enjoying her position on the leaderboard in fourth place after winning the past few seasons, and it's probably not coincidental that they dance tonight to “Hard-Headed Woman.” The work seems to have paid off. Bruno compares Ziering to a hot rod, and Goodman notes he thought it was Ziering's night until he messed up at the end. Inaba agrees it was a 9 until that point. Harris suggests maybe there's a second career out there for Ziering, and the assumption is that she means with stripping. They get all 8s for a total of 24. Leeza Gibbons says she is feeling much less like an impostor and more like a dancer. She thinks the tango might be her favorite dance so far, as she likes the drama, head-snapping, and foot-stomping. Her partner, Tony Dovolani, wants to bring their personal intense relationship into the dance routine, and she realizes it's a primal emotion that is needed. As they tango tonight, he looks to have a drawn-on mustache, and the routine seems not very challenging at all. Before the judging, she shows Tonioli that while he said she needed to be a tramp last week, she now has "Tramp" fake tattooed on her chest. Inaba gets excited, saying, "Leeza Gibbons just showed her boobies!" Goodman calls her "Leeza the Eyeball Pleaser," and says it was a basic tango. Tonioli says a touch of "lady of the night" never hurts, and thinks she's back in business, hopefully not "that" type of business. Gibbons and Dovolani post scores of 8 all around, and she's glad her children are here to see that. Heather Mills is having problems with the jive, because with her prosthetic leg, she can balance on the right, but can't kick with the left, and can kick with the right, but can't balance on the left. She goes unconventional, and gets an all new prosthetic "jive" leg made. She and partner Jonathan Roberts dance the jive tonight, and it's hard to take your eyes off the big Frankenstein shoes Heather is wearing. She does yet another walkover in this routine, and yes, we get it. You can do almost anything with your prosthetic. The judges are much more impressed, with Tonioli saying Mills is incredible whether she's dancing on 1, 2, or 3 legs, Inaba saying once again Mills blew her mind, and Goodman saying if she can jive, she can do any type of dance. With 8s across the board, Mills gives credit to Roberts, as he has to choreograph around her prosthetic leg. Harris makes a great comparison between Mills' shoes and Master P's from a few seasons back. Karina Smirnoff recognizes that her partner Billy Ray Cyrus brought the crowd to their feet for the first time last week, and she wants that to continue. She explains that the tango was originated by Argentinean cowboys who danced without showering, and that's why they do it without looking at each other. Cyrus figures he stinks it up every time anyway. They dance to “Rock the Casbah”, and it's a bit unbelievable how good he is, although he does break his frame occasionally. Inaba calls it a ballsy routine, and stays Cyrus is still the most improved. Goodman calls it part Wrestlemania and part nice ballroom, while Tonioli calls attention to Cyrus' counting, saying he was like a bingo caller, and he's not quite Rhett Butler, but going in the right direction. He and Smirnoff gets 7s all around, and he resolves to take this whole thing one dance and one week at a time. Despite looking horrible the first week, Cyrus isn't going anywhere this week, and it will most likely be Finnessey heading home, as while her dancing improved this week, she didn't do much to endear herself to the fans that need to phone in votes for her, and she was already in trouble last week. It could be Gibbons, but she was too likable this week. Drexler was the worst, but he seems to have too many fans to go just yet. -Laura Tucker
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